Wednesday, December 9, 2009

Cutting (in) a Rug for Baby Boy


I've added the rest of the rubber duckies, tug boats and bubbles on the left side ( the little baby boy side) of this piece. Now to begin adding the background of the rug on which these ducks, etc appear. Click on any picture for a closeup view.
ALL of the rubber duckies are looking up at the sleeping baby.
Now the prepare to work on the right side of this piece.... with the same baby boy 6 decades later.

Whoa.. It's Snow!



Well it's true... Southern California CAN get snow. These pics are from the very beginning of an expected week long storm on Mt. Baldy. The pic below is just outside the house. The single lane/tree covered road ices up. I'm not fond of a multi thousand pound SUV sliding down a road adjacent to a stream bed several feet below. So, we'll stay down the hill a few days. The place down the hill is my studio anyway. :-)


Let's just say, I am grateful to have a small home to stay on flatland at the base of the mountain. This is not a poor quality photo below. It's really starting to come down as I head down the mountain. There are so many quaint village homes along the main highway.


Stay Warm..this storm is everywhere.

Tuesday, December 8, 2009

Back at it! Gettin Ready for Road

I'm working to finish up a painting for my annual traveling exhibit with the Noble Seasons group. I did part of this this summer in Cabo San Lucas... but now my 2 figures(one shown here) are floating on a large piece of fabric so I need to ground them. So I drew some simple drawings of tug boats and rubber duckies as part of a nursery quilt design. Because I am working on a skin tone fabric ( not my normal sheer white) I placed the drawing atop my large glass dining table which I will turn into an oversized light box so I can see the drawing more easily. NOTE: If you create an original drawing on paper to lay underneath fabric, make certain you have used a permanent marker so as to avoid the marker bleeding thru when things start getting wet with ink or paint later.

I clipped a portable light to a dining chair which I move about as I need it.

It's pretty hard to see the lines without a light underneath.

The light underneath sure helps.

Thursday, December 3, 2009

The finished product - Prayers for our Children

This piece is packaged and shipped to Kaufman for it's Solid Expressions traveling exhibit next year. Click on photos for detail view.

All of us who have lived a long life feel concern for our children: our future citizens and leaders. The world has become more complicated than most of us dealt with in our youth. They need our love and concern. I truly enjoyed the quilting of the solid areas of this piece. It turns out a bit complicated pattern, much like the world that surrounds our youth.

Tuesday, December 1, 2009

The Signature

The signing of a quilt is fun because it means you are done quilting... and can move on to binding/finishing. One could surely sign 'later', but since my label and/or bottom weighted sleeve are often directly behind the signature, I do it now. I usually choose a color thread that won't distract from the quilt top. I'm proud of my work, but don't choose for my signature to be "in the viewer's face." To each his own. That's just my way. Here's what I do to sign.... I first draw 2 horizontal lines using a blue wash out marker...the lines represent the top and bottom edges of the planned cursive. I load my machine with 40 wt thread, and put my feed dogs down. I then position my needle at the starting point. After I pop up the bobbin thread as in 'Starting Anew", I'm ready to go. Click on any picture for detail view.

Give yourself permission to go slow, and write your name in a simple cursive, stopping in a needle down position at the end of your first name. You'll note that while you can see the cursive, it's not terribly visible.


That said, I then quilt my name backward atop what has already been done, this time ending where I originally began. This both emphasizes the signature and allows some minor corrections if needed.
I add the last name the same way.... starting anew. Don't forget to dot any 'i'. Mist the blue lines so they will disappear and allow fabric to dry.

Sunday, November 29, 2009

Starting Anew

Happy Sunday all.... I'm picking up where I left off yesterday.... starting a new quilt line or picking up from a broken thread.... same approach either way. This might seem a strange thing to post for some, but I was amazed how long I had been quilting before I learned this, so here goes. The idea of what we're going to look at is how to bring your bobbin thread to the top surface as you start quilting so there will be nothing to snag or clip on the back... yeah!!! First holding your top thread slightly taunt, position your needle exactly where you want to start your stitching. Send your top needle down through you fabric!
As you bring the needle back up, you'll note your top thread remains beneath the fabric surface.
A slight tug on your top thread and the bobbin thread will pop through to the upper surface. I used my curved fiskar scissors to slip into the resulting loop and pull the loop forward so that the entire bobbin thread pops up top.
At this point... hold your top and bobbin threads together and begin stitching at the desired starting point. After a few stitches, you may trim both threads (YEAH) from the top surface!

Saturday, November 28, 2009

Pinning and Planning

Most of my quilting is unmarked textures and fillers. The first part of this piece had wavy continuos line scrolled in and out squares, triangles and rectangles. It's a fun and fast filler. This time, I noted I had a more open space than I wanted... albeit small.... so when I note such a thing.... that's all I do is note it by placing a straight pin in it and know I can/ will rectify that later. I find if I stop and fix something right now, I often lose my rythym. I can come back later.
The other time I drop a pin in is when I break or run out of a thread. I place a pin where I stopped to minimize the potential to unravel and so if I take a break, I know exactly where to begin again.
Working this piece, I got to a point in the wavy scrolled fillers, I decided I needed a different texture, different feeling and decided upon an irregular 'channel' of small meandering. In this case, a straight stitch outline on both sides of the would-be channel was desirable. A rare occasion... I blue marked (the washable marker) the outside channel allowing a unquilted tufted area to be saved as a separation between one quilted area and another.
Doing so made it easy to efficiently fill the channel. I also changed thread for interest.